(3)

The last three Please Get Up On releases from 1988 were more haphazardly combined and use less sound sources and a variety of contributors. John Wiggins called to tell me that (3) sounded like if you took contact microphones and placed one over every square mile of the earth, with me mixing you would end up with a recording like this one. #'s 4 and 5 are more disembodied than the other 3 tapes. I get a stranger more removed feeling when I listen to these works.